I took the title for this post from Randy Lander's review of this book on the now defunct and much mourned Fourth Rail.
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Yeah, that last bit was sort of weird to me as well.
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If you think this is a manic description, you should try reading the book. TenNapel is best known for Earthworm Jim, and a lot of the same hectically beautiful creation seen in that cartoon is also on display in Creature Tech. What I really like is his ability to simply introduce characters that shouldn’t really work together into a story that does manage to hold itself together. There is a lot of ideas from the full spectrum of ideas mashed together and somehow it remains consistently whole. There are aliens, science, religion, government plots, love stories, and random gun violence that seem like they should all be in separate genres or stories, but somehow with all this happening there is an inherent charm and appeal to the characters here.
That would be mostly due to his wonderful artwork. TenNapel is able to breathe a lot of life into these characters which isn’t surprising considering his animation background. The characters act for him whether they’re being thrown over tables, embarrassed in public, or riding a giant electric space eel while trying to destroy a small town. But it’s not just the characters that come to life, there are a lot of panels that really use silhouette and the black and white format to their fullest. There are a few panels that seem rushed or unfinished to me, but for each of those there are these wonderful action panels that allow TenNapel the artist to cut loose and really go for the action of the moment – be it Dr. Ong and Blue rushing to a graveyard on a motorcycle or some hillbillies shooting cat demons from their truck. What I love about TenNapel’s characters is that they manage to fit their world. There are cartoony characters but the protagonist has a bit of The Spirit about him, in that he’s sort of a simplified realistic whereas there are much more representative and abstract characters.
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While I do think the story works in its own way, I also feel like I’m reading more of a first draft than a finished product. I love that we’ve got a single new story in the format it was intended for rather than a collection of individual issues. (Unless someone can correct me on that). The religion feels like it was an idea that was either the basis for conflict but got overshadowed by the resulting action, and therefore feels somewhat tacked on because of how the story developed or it was actually tacked on at some point. It feels really underdeveloped to me, and while I can see how it works it doesn’t really work with what is presented and could have easily been dropped altogether.
This book reminds me of silver age comics written for adults.
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This comic is pretty awesome.
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